Skip to main content

Film vs. Stage

Conventions : Film vs. Stage

FILM
STAGE
Panoramic (Loose Time/Many Locations)
Unified: One Place/Tight-Time/Real-time
Visual (Camera expresses everything)
Dialogue: Words=feelings, ideas, emotions
Action: On-Screen
Action (typically) off-stage
Character: What they do
Character: What we hear them tell us





Comments

Popular posts from this blog

Blade Runners: The 1982 Version Revisited

I have seen Ridley Scott’s Blade Runner in a theater of some kind either on 70mm, 35mm, or digitally projected twenty times altogether over the past twenty-seven years, starting with its first release in 1982. This is NOT because I am a fanatic about the film, or any film really. In fact it is rare for me to see any movie that many times. I know part of the reason is, as for most viewers, Blade Runner’s uniqueness as a movie on almost every level. But also I feel that for me it is the fact that this film, perhaps like no other, has undergone revisions by its director that impact the picture’s tone and focus and yet leave its original creative core untouched.   While the phenomenon of a popular film, or in the case of Blade Runner also a cult film, finding an afterlife in theaters is not at all unusual, especially in the last twenty years or so when so many films from the recent and distant past have been “restored” and “preserved," what makes Blade Runner unique ...

Initial Posting

Good afternoon, ladies and gentlemen--I am a HAL 9000 Computer....oops--only kidding! I'm Don Berry of Don Berry, LLC, a video and multimedia producer out of Hartford, CT. My goal is to offer a number of postings on the film and video industries, as well as related topics. Cheers

The Legacy of Technicolor

This blog entry is intended for the film buffs, film historians, and cinematographers in my audience. I'd like to revisit Technicolor , or more specifically the Technicolor film process—while I'll start with a quick historical recap, I really want to talk about the visual legacy and inspiration that it has left us with and how even while rarely in actual use today, Technicolor is still very much alive, in spirit if not in fact. All of you will of course will be familiar at least to some extent with the Imbibition (or sometimes referred to as Dye Transfer ) Technicolor Process which was used on hundreds of films pretty much non-stop from the mid-1930s until the mid-70s. You'll probably also recall that the Technicolor process can be divided into three distinct "periods." The initial period, from the early 1930s until about 1953 or so, involved using a specially designed camera containing three separate film emulsions all layered and synchronized to...