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Showing posts from October, 2011

Elizabethan Tragedy vs. Classical Tragedy

Elizabethan Drama (Shakespeare) Classical Drama (The Greeks) Panoramic: Many Places/Elastic Time Unified: One Place/Real-time Action: Onstage: Fights/Battles Action: Always Off-Stage (Described) Character: Monologue (break 4 th Wall) Confident Character: Dialogue w/Chorus Diction: Varies (Nobility vs. Commoner) "Common Man" Diction: High (Noble) Upper-Classes

Film vs. Stage

Conventions : Film vs. Stage FILM STAGE Panoramic (Loose Time/Many Locations) Unified: One Place/Tight-Time/Real-time Visual (Camera expresses everything) Dialogue: Words=feelings, ideas, emotions Action: On-Screen Action (typically) off-stage Character: What they do Character: What we hear them tell us

The Most "Filmable" Books

It is well-known that since the earliest days of the motion picture industry most films have been based on novels or short stories. Still true more than ever in recent decades. However, despite this practice, it is also true that many books DO NOT adapt well into films. As someone who has worked in video production and studied film history and criticism for many years, I can say without question that there is no way to actually "film" a book. The motion picture medium and the written word are two entirely separate creative mechanisms and the best we can ever hope for is a rough translation. This is not to say that some books are not more adaptable than others though. Below, I have listed some of the most common traits that make a book (or short story) "filmable."  Let's take a look: Typically any novels or short stories that employ third person omniscient narration and that spend a lot of time "in the head" of the character (internal emphasis) DON